250 file audio bebas royalti untuk "System Sounds"

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Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.
Penulis: Astronautchild
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01:34
Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.
Penulis: Astronautchild
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02:10
Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.
Penulis: Astronautchild
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01:60
Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.
Penulis: Astronautchild
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02:10
Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.
Penulis: Astronautchild
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02:22
Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.
Penulis: Astronautchild
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02:22
Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.
Penulis: Astronautchild
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01:37
Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.
Penulis: Astronautchild
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02:21
Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.
Penulis: Astronautchild
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02:49
Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.
Penulis: Astronautchild
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01:07
Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.
Penulis: Astronautchild
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00:09
This is the sound of a machine which dispenses fluids using a compressed air system it is used at berg (upf) to craft electronic circuits for their biomedic works. Learn more at: http://berg. Upf. Edu/.
Penulis: Soundsofscienceupf
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02:40
Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.
Penulis: Astronautchild
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00:23
This is a plastic tube meant for the filter system in a pond. I realised that it made a pretty cool sound when i tapped it at one end & recorded at the other. I have also uploaded another few taps with a harder object.
Penulis: Octhomasprime
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02:33
Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.
Penulis: Astronautchild
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Sonidos proyecto sias salida 1field recording of bogota city in chapinero locality, around 39 and 42 street, between 7th end 16th avenue. This is a part of a research called "information system about sound art in colombia"recorded with zoom h1 at 44100hz - 24bits, by rodrigo díaz sánchez.
Penulis: Proyectosonidosias
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00:48
I recorded this sound in a large greenhouse where all the plants were getting watered by an automatic system. You can hear the leaves getting hit by water. It might also sound like rain to some if you disregard the background noise of the water rushing through the little streams.
Penulis: Jazzybay
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00:08
Another sound that has been heavily edited to the point of being unrecognizable. This sound byte is an odd one that i made when i was pretty bored, it might be good for a drone or sound of a phantom or something. It could even be a warning or system message for a game. Either way, hope that this strange sound is useful to you somehow.
Penulis: Grimmreapersounds
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01:09
Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 5. 20 modules involved. The ending is just modular freak-out. . . Whit the turn of one pot. . . Leading to some nice sound fx.
Penulis: Gis Sweden
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07:35
I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency low. That’s why there is a low humming wind noise between the “tops”. The output sound from filter goes to reverb. The sound is more a study of sloth behavior than an attempt to create a great wind sound.
Penulis: Gis Sweden
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08:60
At the morning, saint-blimont, la somme, france. Recorded on 2018/11/01 at 8h24 by a rode nt4, sound devices 302 and olympus ls100. This is a good example that the rode nt4 is not a good system for quiet ambiances. High-pass (160 hz) on the sound devices, +12 db gain on pro tools.
Penulis: Keng Wai Chane Chick Te
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00:21
Clean recording of tapping the screen of a samsung phone, with no system sound. Tapping done with index finger, like an old man who's already losing touch of technology and texts way too slow with a million mistakes!. Enjoy and comment if this was useful!.
Penulis: Fredzed
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06:21
It can be described as an energy shield pulsating. Furthermore analysis dictates that can be sound as an anti-gravity engine or an energy whirling guroscope as a cental matrix of a spaceship. The constraction of the sound consists of an ambient meditative soundtrack "transmuted" using lower tones frequenses, raising bass and phaser pack. Sound application system audacity.
Penulis: Eevan
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01:08
This is the audible annunciation found at all intersections with traffic lights in paris, france. It announces the condition of the traffic lights for pedestrians who are blind or with impaired vision. The annunciation is turned on by pressing a button on the traffic light pole. When the crosswalk sign is red (do not cross), the recorded annunciation is always "rouge piéton" ("red light, pedestrian"), followed by the name of the street that the crosswalk crosses (in this case "rue d'antin," the quiet side street where i recorded this). This repeats over and over until the crosswalk changes to green, at which point there is a two-second trill tone followed by a repeating bell tone. The bell tone is one bell, followed by two bells, repeated four times, followed by a very brief pause, and then the sequence is repeated again. This continues until the crosswalk changes back to red, at which point the "rouge piéton" message resumes. The annunciation continues for at least one cycle of the traffic lights and then stops, unless the button is pressed again. The audio quality of the annunciation is very poor even in real life (it sounds like a wax cylinder recording or something), and can be difficult to understand. This recording accurately captures the poor quality of the annunciation. The volume of the annunciation is also adjusted dynamically based on ambient noise, so there is a slight change in volume on this recording as the system apparently reacts to noise from traffic or something. There is a weak background noise that sounds like some sort of machine, but it wasn't coming from the traffic light and i don't know the source. The recording starts with the crosswalk red, then at about 18. 3 seconds it changes to green, then it changes back to red at about 53 seconds. A car passes at around 48 seconds. Recorded with a zoom h4n, stereo 96 khz / 24 bits, built-in mics, from about ten inches below the tiny speaker in the crosswalk sign housing.
Penulis: Mxsmanic
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00:50
Here's a low volume, low frequency noise recorded during an acoustic survey of a condominium to identify a sleep-disturbing noise. It is primarily a combination of 13, 18 and 23 hz (5 hz steps). Not audible on computer speakers, it should be listened to on closed back headphones or very good quality sound system.
Penulis: Jwmooney
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00:13
The dancing fountain scene at bugis junction where the nozzles shoot up the water one by one from the water jet pumps. Note that the water jet system for the fountain itself may consist of 4 patterns but this sound effect uses one of them. There are two extra patterns where the water from the nozzles goes to the center.
Penulis: Silveryfj
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01:01
This sweet sound is recorded during my nightshift from sa. 2. Sept. 2006 to the 3. Sept. Producing the sonntagszeitung(newspaper) at tamedia printing compound. I recorded at 22:15 during vordruck prosses. The baby did run at 80'000 ex. Per. H. Holding the mic from my h 340 iriver in front of the delivery system. Zürich switzerland.
Penulis: Roadman
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11:56
I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. The knob changes the chaotic pattern. At some settings the signals will spend more time in one strange attractor than the other. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency at 12 o'clock. . . The output sound from filter goes to reverb.
Penulis: Gis Sweden
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00:26
Recorded using the built-in mics of a zoom h4npro (2016 edition) @ 24bit. This is a small amount of liquid being poured into a drain about the size of a silver dollar. The original recorded captured the apartment's heating system. I used noise reduction, then normalized the waveform. This sound is free to use whenever and wherever.
Penulis: Osliceplays
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02:05
Accordion player on a sidewalk of the japanese quarter liberdade, sao paulo, brazil. He plays and sings a popular tune of the interior region of north-eastern brazil, the so-called sertão, using a sound system with a strong echo effect. In the background one can hear the traffic sound of a big city, pedestrians walking by and talking.
Penulis: Reinsamba
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00:55
Same as yesterday, but i've added the sound when the huge vehicle extends its two enormous landing gears. For getting the feeling of megapower when whole village shakes you need a speaker system that can generate at least 100 watts at as low as 10 hz. I have a 800 watt sub which i can only use when cats and wife aren't in the house.
Penulis: Vumseplutten
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00:51
24/48 mono recording of the sound of a fnx. 45 acp being shot slowly in a gun range 9 times. During the recording there are a couple shell casing that can be heard hitting the floor. There is a long break after the final shot before the target is recalled on the automatic rail system. There is a slightly echo-y natural reverberation to the gun range. Other than that the recording is very quiet in-between shots and each shot sound was allowed to dissipate before another round was fired.
Penulis: Triad
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10:13
Recorded this on an afternoon in the fall of 2014 at a buddhist monastery in a small coastal town outside bangkok, derived from video taken by a samsung galaxy s3. At prayer time, the monks assemble and one monk leads with a microphone. This recording reflects the somewhat tinny eq of that sound system, and also includes some dimly-heard background noise from the outside environment (e. G. , passing vehicles).
Penulis: Razajac
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00:47
This caught my attention as an unfamiliar sound, and i actually had to investigate to learn what it was. It was the raindrops hitting some styrofoam bodyboards near a swimming pool, which at times sounded almost more like a hollow "pop" than a "drip. ". In the background one can hear thunder, rain, and the humming of a pool filtration system. Recorded with an iphone 7.
Penulis: Quartzmmn
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07:01
This is an ambient sound effect traveling on the subway system in madrid at 11:30am, september 2019. The recording is on the platform, then boards, and exits the train; the train then departs and there is a period of platform ambience. Recorded with shure mv88 in mid-side, converted to stereo.
Penulis: Brett+Butter
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00:30
A compressor at the atacama large millimeter array (alma) radio telescope, at 5028 m elevation, in chile. The compressor, which is part of the cryogenic system, makes a rhythmic wheezing sound. Some voices are heard in the background. Loops at 120 bpm (loop points set in. Wav file). Alma is an astronomical interferometer of 66 radio telescopes in the atacama desert of northern chile, which observe electromagnetic radiation at millimeter and submillimeter wavelengths from the depths of space. .
Penulis: Noisymichael
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06:04
I don't have a modular system to speak of but after watching some of divkids videos i realised my xiao could sound really nice in an ambient eurorack setup. Anyway, here's a few improv sections on my flute, only been playing 4 weeks so pardon the few bum notes. Make of it what you will but would love to hear what people come up with. Concertina loops on the way after it's been serviced.
Penulis: Jamiewilson
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01:51
Vintage typewriter, olympia of 1956, inserting paper, adjusting, typing words and senetences with two finger push search system. At the end the sheet is pulled out of the machine. Sound is self created and recorded with "tascam dr-05". Original use in projekt "akte 12" (file 12). Alte schreibmaschine, eine olympia von 1956. Es werden das blatt eingeführt und justiert, ganze worte und sätze im zwei-finger-tast-suchsystem geschrieben. Am ende wird das blatt mit der hand aus der maschine gezogen. Geräusch selbst erzeugt und aufgenommen mit "tascam dr-05". Ursprüngliche verwendung im projekt "akte 12".
Penulis: Achimengels
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01:41
Sound sources: make noise mysteron (high energy excitation and depth, type and gen extreme cw) and white noise doepfer a-118. High red and blue mixed output. Maths- controlled: mystery excitation; dynamic and adsr. Maths triggered by stepped make noise richter wogglebug. Sound signals passed through 2 channels of make noise dynamix. Summed output to soundhack make noise erbe-verb. Decay controlled by internal feedback loop. Size controlled by wogglebug woggle output. Erbe-verb output into morphagene. Straight playback into reaper. 32bit 48khz rendering. Totally synthetic with no prerecording. Grateful to make noise company (shared system and other modules) and those "awfully compelling" instructional videos on youtube. No financial connections.
Penulis: Jim Bretherick
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04:01
#thevangoghproject: series: patient’s rights sides with the mega-mental health corporation. Description:sound artifacts of a resistance process taking personal responsibility in being the change. Allowing the light of awareness to blossom in dark recesses of the human condition with the intention to bring healing, resolution, new/fresh solutions. Sound bytes from storytelling about the hurdles faced and overcome while being a peer support to an artist seeking to spiral up off the streets and through the mental health system in los angeles county. Barking back at the dogs of corruption we commit to turning on the light.
Penulis: Sonnekelly
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00:36
#thevangoghproject: series: patient’s rights sides with the mega-mental health corporation. Description:sound artifacts of a resistance process taking personal responsibility in being the change. Allowing the light of awareness to blossom in dark recesses of the human condition with the intention to bring healing, resolution, new/fresh solutions. Sound bytes from storytelling about the hurdles faced and overcome while being a peer support to an artist seeking to spiral up off the streets and through the mental health system in los angeles county. Barking back at the dogs of corruption we commit to turning on the light.
Penulis: Sonnekelly
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03:20
We where located in the news media viewing area called nasa causeway. This as close as anyone can get to the launch. This was the maiden voyage of the orion spacecraft, and one of the very few delta iv heavy launches. In the beginning of recording you hear nasa announcer giving countdown into loud speakers, when you reach around the 1min 50 sec mark the true booster engine sound overtakes the pa system. We are very grateful for the opportunity to share this, most powerful man made machine with 2. 1million pounds of thrust to get millions of pounds into space.
Penulis: Cocoabeachproductions
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03:23
From Die Zauberflöte, K.620 Wenn Tugend und Gerechtigkeit ... "When virtue and justice spread the path of the great with fame.." These pages contain some of my MIDI sequences of classical music in general midi (GM) format, linked so that you can download or play them by clicking on the links. The sequences are intended to be heard on a computer sound card, and do not include system exclusive messages or controllers other than volume, pan, reverb and chorus. They are all in the public domain. That is, they are no-one's intellectual property: they may be freely copied, adapted, tinkered with and, I hope, surpassed by others.
Penulis: Untitled
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This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.
Penulis: Unfa
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01:54
Here is a simple yet usefull reel for your morphagene. I sampled various noise source from various modules to be used into my shared system, as this instrument does not contain any classic one. This reel is arranged like this:splice 1 : left = white noise / right = pink noisesplice 2: left = metallic noise / right = digital noisesplice 3 : left = tuned noise 1 / right = tuned noise 2splice 4 : left = tuned noise 2 / right = tuned noise 3splice 5 : left = tuned noise 4 / right = tuned noise 5splice 6 : left = tuned noise 6 / right = tuned noise 7splice 7 : left = downsampling noise sweep / right = fluctuating random noise sweep. Most sound comes from the verbos electronics random sampling module. The tuned noises are made of white noise fming the verbos harmonic oscillator, each are one of the eights harmonics being recorded. Enjoy !.
Penulis: Stazma
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54:46
Recorded at hope st radio, a bar/restaurant/radio station at collingwood yards, during the tail end of a disorganising community dinner. In this recording, about 80 people are learning or playing mah jong while the restaurant kitchen closes service and the sound system is off. There are adults and a few small children in the room and too many djs (common problem here). It was recorded on a sony pcm-d50's internal stereo microphones at 120°, mounted to a tripod while everyone drank the last of the free natty wine. #natural #wine #salomons. This recording was taken in may 2021 on unceded wurundjeri land, which belongs to the woi wurrung people of the eastern kulin nations. I acknowledge their sovereignty and pay my respects to their elders and all first nations people.
Penulis: Scsi Sparrow
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00:05
I used audacity to synthesize the five-tone chime made by the montreal metro's jeumont train element 41. Backstory: the train itself was an mr-63 type train modified by canron circa 1971, adding a current chopper to the train's started system. The chopper produced an 'idle' tone at around 45 hz, and as the train departed, five tones at frequencies of 90, 120, 180, 240, and 360 hz. Originally there were 3 'elements' (a set of 2 motor cars and 1 trailer car) with the jeumont-schneider current chopper (element 40, made up of cars 81-579, 80-040, and 81-580; element 41, made up of cars 81-581, 80-041, and 81-582; and element 42, made up of cars 81-583, 80-042, and 81-584). During the early 2000s refurbishments, element 40 was retired from service to provide spare parts for the other elements, which were then connected with elements of 'normal' mr-63 trains. Only the 81-579 car remains from element 40. Element 41 and element 42 were then retired in 2018 when the other mr-63 trains were retired.
Penulis: Chungusa
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01:58
Yep this is a crazy sound. What have i done. . . I have build a nonlinearcircuits sloth lfo. Https://www. Modulargrid. Net/e/nonlinearcircuits-sloth-4hpedited info:i have built the regular version. The sloth has two outputs x and y. I connected x to control frequency on one oscillator and y to control amplitude on another oscillator. Frequency experiment on left channel. Amplitude experiment on the right. The file starts as the amplitude is 0. Next time the amplitude is 0 (almost) is at about 48 sec. Then 48 sec later, at 1:37 the amplitude is 0 again. The two cycles are not identical. The tones are harder to analyze. . . X and y outputs. I guess those corresponds to x and y in a coordinate system. You can find video clips watching the sloth “drawing” butterfly wings. For example:https://www. Youtube. Com/watch?v=0ku6npz1s4gand maybe check this:https://www. Youtube. Com/watch?v=occhcm5oxp8http://nonlinearcircuits. Blogspot. Se/2014/09/sloth-chaos. Htmlthis later link is the developers page. The constructor (andrew) of this module says that my version completes “1 cycle every 15 seconds”. What does that mean? is one cycle one lap in the butterfly pattern? will the pattern repeat itself? yep, i’m going to ask him…. Edit:andrew answers my questions: “it is a very approximate description of the frequency, cycle is not the proper term to use. . . . Nor is frequency really, but they are descriptions that people can relate to easily. Depending upon the pot settings and whatever other initial conditions that happen to be in place, the signal may traverse the typical double strange attractor path. It may stay in one attractor for several loops before crossing over to the other one. The pattern will never repeats itself, it might come close but won't do it. ”my question: so, one “loop” is one cycle?andrew answers: typically it takes approx 15 seconds to make a rough figure 8, but depending upon the pot and other factors, it may take longer, much longer, sometimes it even pauses whilst deciding which way to go next.
Penulis: Gis Sweden
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00:37
A few cycles of my dad's home oxygen machine with a ticking battery operated clock in the background recorded in the early morning in the living room with lifecam hd3000 webcam at the end of about 16 feet of usb cable dragged out of my bedroom. He's about 6 feet away, i was with my back to the room with my camera pointed at my chest so he wouldn't think i was filming. It would seem this is the first and only oxygen machine on freesound. A full cycle seems to last from between 7 to 10 seconds. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.
Penulis: Kbclx
00:00
07:20
Recorded in my dad's bedroom with lifecam hd3000 webcam. This is a much better recording than my previous oxygen concentrator file, as i hauled my desktop into the bedroom at the other end of the apartment where the machine now is, when i was home alone. The webcam is on the bed about 3 or 4 feet from the machineat the beginning of the file you hear me flip the big switch and the machine comes on with a long on beep and thumps. I edited it to start then. At 00:1. 8 what i suspect is the water pump comes on, though i may be wrong. That's when the gurgling starts though. The machine has a small reservoir for distilled water to moisten the airflow. A cup or two lasts several daysyou'll hear various hisses and thumps in a 15. 6 second cycle as it runs. At 03:03 i flip the big switch to shut the machine off, and it bubbles and gurgles away for the rest of the file, as water i assume slowly perculates back into the reservoir, the bubbling getting quieter and quieter until it doesn't even sound like bubbling anymore, until it finally ticks to a stop. At 03:16 you hear me step as i get my foot loose from the mic cord lol. At 04:13 the furnace shuts down as a car finishes going by outside in the bass register, faint traffic noises and the furnace being the only background noises you'll hear aside from my moving around a couple times, and a faint bluejay at the end. At about 07:00 you can barely hear the machine anymore, but i could hear a faint ticking with my own ears. At 07:04 the furnace comes back on. At 07:08 you'll hear a bluejay faintly calling outside and a car going by outside after, which finishes the file at 07:20. I edited out my walking to the computer to shut the recording down. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.
Penulis: Kbclx
201 - 250 dari 250
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